Are there really any Red Pill Movies out there? Probably not. Modern productions suffer from unchecked radical feminism. Older movies accepted the traditionalist roles for men: protect and provide, be loyal etc. Men as useful plow-horses, eager to sacrifice their lives for women. Feminism and Traditionalism are the two sides of the same coin, Gynocentrism, and those oldies depicting the stereotypical "macho" man subscribed to the later.

I rarely watch movies, nowadays. Those said, there are some movies I would call "Red Pill compatible": they are not plain Hollywood propaganda, and, usually subtly, try to give a hint about the true dynamics between the sexes. You won't lose your time watching them, and might get a new insight or two.

Here's a list with a non-spoiler small comment for each.

Gone With The Wind: Scarlet and Ret are only two of the characters, but they are the protagonists. Any feminist that is proud of her identity would scoff throughout the movie due to the behaviors that are pictured as typical of the sexes in it.

Passengers: A rare case of a Hollywood film that makes even a small dent in the feminist rhetoric. Still gynocentric, as any modern movie, but seeing it you can understand why feminists got livid about it. Nice action movie, too.

Paddington: a sitcom-like movie that shows some appreciation for men? Not making them seem like the utter dumbass? Also, very funny. Worth seeing. Paddington 2 is, predictably, less interesting.

The Truman Show: You've probably all seen this. Great comedy, and a great allegory about our controlled lives, preceding The Matrix.

Boyhood: A documentary-like movie, that took 10 years to film, outlining how fucked-up the marriage-divorce-chid-rearing realty has become in the US.

Rashomon: It's a 1950 movie, its black-and-white, it's in Japanese, but it's proably the most RP movie there is. About woman's nature. Feminists still can't swallow how such a recognized director as Kurosawa could be so "misogynist". (Hint: He wasn't, he was just able to see reality).

Stand by me: Celebrating friendship among boys.

Factotum: Life of author Charles Bukowski. Heavily Hollywood-ized, but still worth seeing.

Starship Troopers: The greatest parody of the naive stereotypical masculinity ever. Buries male self-sacrifice to the ground. A work of art.

The Hunt: Perils of the modern man. 2012 movie. Probably couldn't be made today, only 7 years later.

A man's job: Another male-centered narrative from Denmark. Man is forced to prostitute himself in order to support his family. How will the wife take it?

Lawn Dogs: A working-class youth becomes friends with an upper class 10yo girl. What happens next?

The Full Monty: A must.

Bruno: How dare he make fun of any woman?

Pineapple express: Hilarious slapstick comedy that doesn't put pussy on the pedestal.

Full Metal Jacket: No, army won't make you a man.

The Coen Brothers: These guys have proven to be hard nuts to crack, for Hollywood. They can't seem to confine themselves in a politically correct narrative. They masterfully expose the ways in which the average man has an illusion of control over his life.

Monty Python: if we are talking about deconstructing the mainstream narrative, nothing is better than a Monty Python comedy. They stop at nothing, ruthlessly satirizing Beta expectations and the upper class fake-Alpha, even somehow managing to hint about the capacity of women to stone an Innocent man to death without anyone calling the sexist.

Judd Apatow: This guy knows how to write a dialogue that is clever while not seeming... written. He's a bit hit-and-miss regarding the sexual dynamics, but at least he does hit some. Reluctantly recommended.